使用ZBrush制作海盜

自由3D藝術(shù)家Gustavo Profeta給我們一個(gè)快速分解他如何在ZBrush里制作海盜

Freelance 3D artist Gustavo Profeta gives us a quick breakdown of how he made Viking in ZBrush

This artwork is based on a concept by the talented Marco Furtado. I wanted to have a play testing materials such as leather, iron, and skin and what better character to use as a model than a Viking! This was also my first time working with hair and fur and was a bit of a challenge.

這個(gè)作品是基于一個(gè)概念的天才Marco Furtado。我想有一個(gè)游戲測試的材料如皮革、鐵、皮和什么更好的角色作為一個(gè)模型海盜！這也是我第一次與頭發(fā)和毛皮工作，是一個(gè)有點(diǎn)挑戰(zhàn)。

Modeling

Using a copy of the original concept I started sculpting with ZBrush, once I had the basic shape of the character I moved on to doing some retopology. I like to use Topogun to retopolgize each part of the model. Topogun is a great tool for getting meshes ready for production, to add more details and if you want to animate your character. Head here to see a short video of my modeling process.

建模

用一份原始的概念，我開始雕刻在ZBrush，我曾有過的基本形狀特征我在做一些拓?fù)洹?我喜歡使用Topogun重新塑造模型的每個(gè)部分。 Topogun是一個(gè)偉大的工具，讓網(wǎng)格準(zhǔn)備生產(chǎn)，如果你想讓你的角色，添加更多的細(xì)節(jié)，在這里看到我的建模過程

Detailing and UVs

After opening the UVs on UVLayout, I exported the low obj file to ZBrush and start detailing each part to create normal, ambient occlusion, and cavity maps. You can see a video of my detailing process here.

細(xì)節(jié)和UV

在UVLayout上打開UVs之后，我將低obj文件導(dǎo)出到ZBrush并開始詳細(xì)描述每個(gè)部分以創(chuàng)建正常，環(huán)境遮擋和空間圖。 你可以在這里看到我的詳細(xì)過程的視頻。

Hair and Fur

I tried several times to use V-Ray hair material but I wasn't able to get the results I wanted. I have found a new way (for me) to approach making hair, I use splines for long hair, selected and extracted meshes for short strands such as sideburns, beard, and chest hair. As the splines and meshes needs different color setups, I split the materials into two parts. I used 3ds Max's hair & fur material (not V-RayMtlHair) which gave me good results.

頭發(fā)和毛皮

我?guī)状卧噲D使用V-Ray頭發(fā)材料但我沒能得到我想要的結(jié)果。我找到了一種新的方法（對我來說）做發(fā)型，我使用樣條為長長的頭發(fā)，選擇和提取網(wǎng)格的短鏈如鬢角、胡須、胸毛。由于樣條和網(wǎng)格需要不同的顏色設(shè)置，我將材料分為兩部分。 我使用3ds Max的頭發(fā)和毛皮材料（不是V-RayMtlHair），它給了我很好的結(jié)果。

Lighting and Compositing

I did some tests to render the Viking in the same position as the concept, but it wasn't impressive as the concept, so I changed the story slightly by going back in time to before the Viking caught the Unicorn. In my image he is waiting for his prey in the forest. Watch this video to see my lighting process.

照明和合成

我做了一些試驗(yàn)，使海盜在同一位置的概念，但它不是令人印象深刻的概念，所以我改變了故事，時(shí)間到了在海盜抓住獨(dú)角獸之前。照我的想象，他在森林里等待獵物.。看這個(gè)視頻看看我的照明過程。

Final Image

Here is the final image. I hope you have enjoyed learning how I make my creations. Thank you for reading!

最終的圖像

這里是最后的形象。我希望你喜歡學(xué)習(xí)我如何創(chuàng)作。感謝你的閱讀！