20個驚人的科幻風(fēng)景

欣賞胡巴勃羅羅丹的突破性景觀，重生

Enjoy Juan Pablo Roldan's ground-breaking landscape, Reborn

拉斐爾拉科斯特（Raphael Lacoste）在不到3個小時的時間里創(chuàng)作了城市風(fēng)景與狗

City Landscape with Dog was created in less than 3 hours by Raphael Lacoste

查查湯姆坦瑞的星際冒險，外星種族

Check out Thom Tenery's intergalactic adventure, Alien Race

雷德蘭茲最初是一個3D基礎(chǔ)網(wǎng)，Maciej Drabik用Photoshop繪制

The Redlands started out as a 3D base mesh, which Maciej Drabik used Photoshop to paint over

尼可拉斯布維爾（Nicolas Bouvier）又名斯巴達(dá)（Sparth）的風(fēng)格，可以從他的形象中看出來

Nicolas Bouvier aka Sparth's recognizable style can be seen in his image

我們喜歡這個巖石的環(huán)境設(shè)計，Jan Urschel做了一個在LASALLE的大師班的演示!

We love this rocky environment design that Jan Urschel did as a demo for a masterclass at LASALLE!

喬治格列庫(Giorgio Grecu)的《異形景觀》(alien landscape The Source)是在Layerpaint畫廊的一個熱門作品

Giorgio Grecu's alien landscape The Source was a hit in the Layerpaint gallery

這幅無光澤的油畫，是由鮑比麥爾斯阿卡凱奧申創(chuàng)作的

This matte painting, Discovery was created by Bobby Myers aka Kaioshen for the Luminarium exhibit

Bastien Grivet利用光和陰影在他的形象中創(chuàng)造了一種深深的氛圍，新的亞特蘭蒂斯

Bastien Grivet uses light and shadow to create a deep sense of atmosphere in his image, New Atlantis

路易斯伽馬對他的環(huán)境采取了一種簡單的方法，聯(lián)系

Luis Gama takes a simplistic approach to his environment, Contact

Edvige Faini畫了這個超現(xiàn)實的風(fēng)景，失落的世界

Edvige Faini painted this surreal landscape, Lost World

安德烈沃茲尼在2月MMCXLIII的創(chuàng)作中受到了老主人的啟發(fā)

Andrey Vozny was inspired by the old masters when he created his image February MMCXLIII

Massimo Porcella創(chuàng)造了Nortwinder作為iMasterArt的宣傳作品

Massimo Porcella created Nortwinder as a promotional piece for iMasterArt

Christopher Balaskas在他的圖像中創(chuàng)造了令人驚嘆的質(zhì)地和形狀

Christopher Balaskas creates stunning textures and forms in his image Tagonis Refinery Depths

我們喜歡由Geoffrey Ernault設(shè)計的火星上充滿活力的色彩

We love the vibrant colors in This isn't Mars by Geoffrey Ernault

Ryan Gitter將強(qiáng)烈的幾何元素和清晰的邊緣結(jié)合在一起，在塔尖上可以看到

Ryan Gitter combines strongly geometric elements with crisply defined edges, which can be seen in The Spire

Andree Wallin想象著斯德哥爾摩在2100年的樣子!

Andree Wallin imagines what Stockholm may look in 2100AD!

這個引人注目的后啟示錄環(huán)境是由亞當(dāng)伯恩創(chuàng)作的

This striking post-apocalyptic environment was painted by Adam Burn

SimonStalenhag抓住了科幻郊區(qū)的本質(zhì)

Simon Stalenhag captures the essence of a sci-fi suburbia

天空之門是蓋瑞湯奇的眾多令人嘆為觀止的數(shù)字風(fēng)景畫之一

The Sky Opens is one of Gary Tonge's many breathtaking digital landscapes